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Hồng-Ân Trương uses photography, video, and sound to explore immigrant, refugee, and decolonial narratives and subjectivities. Her work has been shown in group exhibitions at the ICP(NY), the Nasher Museum of Art (Durham, NC), The Kitchen (NY), Nhà Sàn (Hanoi), the Irish Museum of Modern Art (Dublin), the Phillips Collection (Washington D.C), and the Museum of Modern Art (NY). Her work was included in the New Orleans triennial Prospect.4 in 2018. She was a Guggenheim Fellow in 2019-2020, the Capp St. Artist in Residence at the Wattis Institute for Contemporary Art in 2020, and a MacDowell Residency Fellow in 2022. Her writing has appeared in the Brooklyn Rail, Shifter Magazine, and most recently in Best! Letters from Asian Americans in the Arts, published by Paper Monument in 2021, and in American Art in Asia: Artistic Practice and Theoretical Divergence, edited by Michelle Lim and Kyunghee Pyun, published by Routledge in 2022. Hồng-Ân lives in Durham, North Carolina where she is an activist and a teacher. She is a professor at the University of North Carolina at Chapel Hill.

Trương’s practice includes an ongoing web-based project Return to the Source, made in collaboration with Denisse Andrade, which attempts to dislodge the pivotal year of 1968 as one sedimented in history by offering new modes of interpretations vis-à-vis the archive.
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solo exhibitions

Hồng-Ân Trương, If you can hear the sound of my voice, clap once
09.06 – 10.19.2024


group exhibitions

Circular Ruins
09.30 – 10.30.2022

readings

2024 | The New York Times
2022 | CNN
2022 | Hyperallergic
2020 | Hyperallergic
2018 | The New Yorker
2018 | Artnet
2018 | Artforum

works

available on Artsy here
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